纳斯达克艺术品收藏推荐指南——中国艺术家·沈志昂

     

　　沈志昂，1952 年生，汉族，江苏省苏州人。自幼受家庭熏陶，酷爱书法艺术。沈志昂先生的作品师古不泥、挥洒自如、飘逸舒展、点画劲挺、和谐呼应、浑然一体、妙趣无穷、美不胜收。作品在国际和国家级大赛中多次夺冠，博得有关领导和艺术界的高度关注。在书法艺术上取得了杰出成就，为国家争得了荣誉。作品在世界最高艺术殿堂法国卢浮宫、美国纽约、日本、韩国、北京人民大会堂等地展出和收藏。被国家博物馆、国家图书馆等收藏机构收藏。

　　荣获“十大军民艺术家”、“国宝艺术家”、“中国书画百杰”、“盛世中国书画名家”、“中国德艺双馨书画名家”、“感动中华杰出功勋书画家”等荣誉称号。

　　Shen Zhiang, born in 1952, Han ethnicity, from Suzhou,Jiangsu Province. Influenced by family since childhood, Ihave a passion for calligraphy art. Mr. Shen Zhiang's worksare timeless, effortless, elegant and graceful, withstrong dots and harmonious echoes, seamlessly integrated,endlessly fascinating, and breathtaking. The work has wonmultiple championships in international and nationalcompetitions, attracting high attention from relevantleaders and the art community. Has achieved outstandingachievements in calligraphy art and won honors for thecountry. The works are exhibited and collected in theworld's highest art temple, the Louvre in France, New York,Japan, South Korea, and the Great Hall of the People inBeijing. Collected by collection institutions such as theNational Museum and National Library.

　　Awarded honors such as "Top Ten Military and CivilianArtists", "National Treasure Artist", "Top 100 Chinese Calligraphers and Painters", "Famous Chinese Calligraphers and Painters in Prosperous Times", "Chinese Calligraphers and Painters with Both Virtue and Art", and"Outstanding Calligraphers and Painters Touching China".

                                       

　　法度严谨师碑帖 正大气象写正宗

　　——记著名书法家沈志昂

　　书法作为中国文化的艺术瑰宝，需进法度传承，并且进行笔墨创新，才能作出笔墨当随时代美学新造诣。当代著名书法家沈志昂先生，受家庭的艺术熏染，自幼酷爱书法艺术，他的书法传承经典，以碑帖为准则，修炼正宗。笔墨一气呵成，上下贯穿，收放自如，疏密得体，实有正宗书法的气韵神态，其作品在诸多大赛中屡屡夺冠，且被广泛收藏，取得了极高的艺术地位，在艺术界以德艺双馨而闻名，中书协主席苏士澍感其造诣非凡，曾作长文予美誉，可见其书法功入主流，绝非俗家。他的书法涉及楷书、行书、草书等诸体，深通各书体精妙所在皆 得造诣。技法富有专业性，书多而不杂浅，成为博涉多优的大手笔。

　　观赏他的作品，楷行兼顾，拒绝算子状态，不失飞动形态，笔墨方曲收放有度，牵丝映带起承转合，顺手带势，行书心成的韵味很是浓郁。结构布局雅观宽正，若行云流水，重心的放置准确，犹蛟龙戏水的态势，连笔交笔十分洒脱，使人观之感到气韵生动，惊艳我心!执笔严谨，无一笔掉以轻心，无一字不表现出意致的施法精湛，行书不激不厉的和雅魅力，皆现于其中。

　　沈志昂的书法也是其修身的心境。笔墨如果脱离了心境，则书写时少意义，尽失根本，所以他的草书在黑与白、点与线的变换中体现了心有性灵的精神境界。性情脱俗，笔墨自超凡，淳厚之中有飞畅，酣畅之中写浑然，草书线条极有张力，也从不失淡雅之风。一笔书来，宛如草原马儿奔放轻驰，笔挥墨脱既有轻松娴雅之风，又有雄壮豪放之神，流畅挺立，苍劲含蓄，心气相和，落笔刚柔相济，秉承心气，师循天道，落花飞雪何茫茫，一划之内变起伏，风动梨花落，形美气神，是为彰显草书灵魂的能家。

　　笔墨之所得，莫过于临帖有所悟，他的楷书临楷书四家，融汇贯通，以欧楷为核心，以颜楷为筋骨，吸收诸家精彩，用笔精湛，每见落笔便是流畅无碍，干净自然，顿挫有效，逆入平出，一气呵成。横竖有方笔，撇捺见圆笔，调度灵活，仪态万千。结构左右均称，望之若欹，左收紧右舒展，竖为主干，四面险道奇巧，章法无懈可击，正大气象，一目了然，法度严谨师碑帖，正大气象写正宗。书法不仅是一笔一画的较量，更是心灵的寄托与文化的共鸣。书法古来为心神之路，唯有法度，谙书道，才能觉悟真法寄心灵写文化。沈志昂先生以文化修养的深厚，磨砺书法又秉承传承文化的责任，所以手得其法，心得其灵，书如其人，既是如此，大家风范，一目了然!

　　著名书画评论田继学

　　2020 年 3 月 16 日

　　Rigorous Dharma, Master's Stele Inscription, Authentic Meteorology, Writing Authenticity

　　——On the Famous Calligrapher Shen Zhiang

　　Calligraphy, as an artistic treasure of Chinese culture, needs to bepassed down and innovated in order to achieve new achievementsin contemporary aesthetics. Mr. Shen Zhiang, a famouscontemporary calligrapher, was influenced by the art of his familyand has been fond of calligraphy since childhood. His calligraphyinherits classics and follows the principle of inscriptions to cultivateauthenticity. His brushstrokes are completed in one go, running upand down with ease, and his density is appropriate, embodying thecharm and demeanor of authentic calligraphy. His works haverepeatedly won championships in many competitions and havebeen widely collected, achieving a high artistic status. He is famousin the art world for his dual virtues of virtue and art. Su Shishu, thechairman of the Chinese Calligraphy Association, felt that hisachievements were extraordinary, and he once wrote long essays, which showed that his calligraphy skills have entered themainstream and are not ordinary people. His calligraphy involvesvarious forms such as regular script, running script, and cursivescript, and he is proficient in understanding the intricacies of eachform of calligraphy. The techniques are highly professional, withnumerous but not superficial books, making it a great tool forextensive research.

　　Observing his works, he balances regular script and movement, rejects operator states, and maintains a flying form. Hisbrushstrokes, strokes, and curves are well balanced, and his linesand reflections are intertwined, creating a smooth and dynamicstyle. The heart of the running script is rich in charm. The structurallayout is elegant, broad and upright, like flowing clouds and water, with accurate placement of the center of gravity, like the posture ofdragons and dragons playing in the water. The brushstrokes arevery free and easy, making people feel lively and stunning, stunning my heart! The writing is rigorous, every stroke is takenlightly, every word expresses the exquisite technique of intention, and the elegant charm of running script is reflected in it.

　　Shen Zhiang's calligraphy is also his state of mind forself-cultivation. If the pen and ink are detached from the state ofmind, the writing lacks meaning and loses its essence. Therefore, his cursive script reflects the spiritual realm of the mind having spiritin the transformation of black and white, dots and lines. With arefined temperament and extraordinary brushstrokes, there is asense of elegance amidst simplicity and a sense of clarity amidstcontentment. The lines of cursive script are extremely tense andnever lose their elegant style. A stroke of writing is like a gallopinghorse on the grassland, with a carefree and elegant style as well asa majestic and bold spirit. It is smooth and upright, with a strongand reserved tone, and a harmonious heart. The strokes are firmand gentle, adhering to the heart and following the Heavenly Way. The falling flowers and flying snow are boundless and undulatingwithin a stroke, and the wind moves the pear blossoms, forming abeautiful and divine form. It is a master who showcases the soul ofcursive writing.

　　The gain from his calligraphy is nothing more than his insight intocalligraphy. His regular script is integrated and connected with thefour schools of regular script, with European regular script as thecore and Yan regular script as the backbone, absorbing thebrilliance of various schools. His brushstrokes are exquisite, andevery time he sees a stroke, it is smooth and unobstructed, cleanand natural, with effective jerks. He goes in and out in one go.

　　There is a square pen in both horizontal and vertical directions, anda round pen can be seen when flipped and pressed. It is flexible inscheduling and elegant in appearance. The structure issymmetrical on both sides, looking like a cross, tightening on theleft and stretching on the right, standing as the main trunk, surrounded by perilous and exquisite paths on all sides, withimpeccable rules and regulations. It is clear at a glance, withrigorous laws and regulations, following the calligraphy of the stele, and writing the orthodox style. Calligraphy is not only a competitionof strokes, but also a spiritual sustenance and cultural resonance. Calligraphy has always been the path of the mind and spirit. Onlyby practicing the Dharma and mastering the art of calligraphy canone awaken the true Dharma and write culture with the soul. Mr. Shen Zhiang has a profound cultural cultivation, hones hiscalligraphy, and upholds the responsibility of inheriting culture.

　　Therefore, he has mastered the techniques with his hands, mastered the spirit with his heart, and wrote like a person. This is why his family style is clear at a glance!

　　Famous Calligraphy and Painting Critic Tian Jixue

　　two thousand and twenty